Laura Lippman

"The Lady in the Lake" 

The revered New York Times bestselling author returns with a novel set in 1960s Baltimore that combines modern psychological insights with elements of classic noir, about a middle-aged housewife turned aspiring reporter who pursues the murder of a forgotten young woman.

In 1966, Baltimore is a city of secrets that everyone seems to know--everyone, that is, except Madeline "Maddie" Schwartz. Last year, she was a happy, even pampered housewife. This year, she's bolted from her marriage of almost twenty years, determined to make good on her youthful ambitions to live a passionate, meaningful life.

Maddie wants to matter, to leave her mark on a swiftly changing world. Drawing on her own secrets, she helps Baltimore police find a murdered girl--assistance that leads to a job at the city's afternoon newspaper, the Star. Working at the newspaper offers Maddie the opportunity to make her name, and she has found just the story to do it: a missing woman whose body was discovered in the fountain of a city park lake.

Cleo Sherwood was a young African-American woman who liked to have a good time. No one seems to know or care why she was killed except Maddie--and the dead woman herself. Maddie's going to find the truth about Cleo's life and death. Cleo's ghost, privy to Maddie's poking and prying, wants to be left alone.


Maddie's investigation brings her into contact with people that used to be on the periphery of her life--a jewelery store clerk, a waitress, a rising star on the Baltimore Orioles, a patrol cop, a hardened female reporter, a lonely man in a movie theater. But for all her ambition and drive, Maddie often fails to see the people right in front of her. Her inability to look beyond her own needs will lead to tragedy and turmoil for all sorts of people--including the man who shares her bed, a black police officer who cares for Maddie more than she knows. 

"In a Strange City"

Loved this
book. I learned
much about
Baltimore,
and it was 
a  pleasure
 to do. 
New York Times bestselling author Laura Lippman’s Tess Monaghan must put her PI skills to the ultimate test when she falls into the crosshairs of a psychopath who knows everything about her.

For the past 50 years on the birth date of Edgar Allan Poe, a person wearing a cloak has placed three roses and a half bottle of cognac on the writer’s gravesite. PI Tess Monaghan has never witnessed the event. 

But when John P. Kennedy, an eccentric antiques dealer, asks her to uncover the identity of the caped visitor, who he believes has duped him with the sale of an inauthentic antique, Tess decides to hold vigil on the night the cloaked stranger is expected to make an appearance. But the custom takes on a bizarre, fatal twist when two cloaked figures arrive. The imitator leaves his tribute and then makes his escape…after shooting the first visitor.

Warning bells tell Tess to steer clear of this case. But when roses and cognac appear on her doorstep, Tess’s curiosity is piqued. She soon discovers that John P. Kennedy has vanished into thin air and much of what he told her was questionable. 

Then the identity of the shooting victim comes to light, and all clues seem to point to the possibility he was the target of a hate crime. But Tess isn’t convinced. What was his connection to the decades-long Edgar Allan Poe tradition and to the killer? When more cryptic clues are left at her home, Tess realizes that someone is watching her every move...someone who’s bent on killing again


"After I'm Gone" 

What a disappointment. I had loved every single one of Lippman's books. 

But I just couldn't get into this one -- at all. 

The arrangement of the "chapters" seemed to get in the way, and the characters did not seem to fit. 

I hope she writes more books so I can change this feeling. 

“Sunburn”


New York Times bestselling author Laura Lippman returns with a superb novel of psychological suspense about a pair of lovers with the best intentions and the worst luck: two people locked in a passionate yet uncompromising game of cat and mouse.

But instead of rules, this game has dark secrets, forbidden desires, inevitable betrayals—and cold-blooded murder.

One is playing a long game. But which one?

They meet at a local tavern in the small town of Belleville, Delaware. Polly is set on heading west. Adam says he’s also passing through. Yet she stays and he stays—drawn to this mysterious redhead whose quiet stillness both unnerves and excites him. Over the course of a punishing summer, Polly and Adam abandon themselves to a steamy, inexorable affair. Still, each holds something back from the other—dangerous, even lethal, secrets.

Then someone dies. Was it an accident, or part of a plan? By now, Adam and Polly are so ensnared in each other’s lives and lies that neither one knows how to get away—or even if they want to. Is their love strong enough to withstand the truth, or will it ultimately destroy them?

Something—or someone—has to give.Which one will it be?

Inspired by James M. Cain’s masterpieces The Postman Always Rings Twice, Double Indemnity, and Mildred Pierce, Sunburn is a tantalizing modern noir from the incomparable Laura Lippman.   Read more about Lippman here.

"In Big Trouble"

Edgar Award-winner Laura Lippman is developing a reputation as one of the most exciting new detective fiction authors in years. 

Now she delivers her most suspenseful novel yet, and places Baltimore's Tess Monaghan . . . In Big Trouble. 

First as a reporter and then as a p.i., Tess Monaghan has learned how to survive and thrive on the streets of Baltimore. But a new case will force her to confront her own past, and a man she loved and lost. 

It starts when she gets a newspaper photograph of her old boyfriend with a tantalizing shard of headline attached: In Big Trouble. 

The answers lie far from Baltimore, deep in a world of good-time music, old-fashioned ambition, and rich people's games. 

For Tess must find out what happened to a man she thought she knew, to a woman who may have changed him forever, and to the victims of a killer who dances to a different—and deadly—drummer. 


“The Girl in the Green Raincoat”

New York Times bestselling author Laura Lippman—winner of the Edgar® Award and every other major literary prize given for mystery and crime fiction—embroils Baltimore p.i. Tess Monaghan in the strange case of “The Girl in the Green Raincoat.” 


Originally serialized in the New York Times, “The Girl in the Green Raincoat” is a masterful thriller in the Alfred Hitchcock mode that places a very pregnant, homebound Tess in the center of a murderous puzzle that could cost her her life and the life of her unborn child.

"And When She Was Good" 


When Hector Lewis told his daughter that she had a nothing face, it was just another bit of tossed-off cruelty from a man who specialized in harsh words and harsher deeds. But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record.

But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee.

For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it?

Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know.

And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years.


With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.

Charm City


PI Tess Monaghan discovers she might’ve gotten herself into a dangerous situation for which there’s no way out. . . .

Tess is ecstatic to hear the news that business tycoon Gerard “Wink” Wynkowski wants to bring pro-basketball back to Baltimore. But when Wink’s checkered past—which runs the gamut from domestic abuse and compulsive gambling to armed robberies and even manslaughter—makes the front page of the Baltimore Beacon-Light, aka the “Blight” his project is jeopardized. 

No one is more surprised at the exposé than the editors of the paper who were certain they killed the piece. Hoping to uncover who hacked into their computers, the newspaper hires Tess.

But soon after the story on Wink runs, he’s found asphyxiated in his garage with his car’s engine running. Suicide appears to be the cause of his death—and everyone is blaming the “Blight” for airing his dirty laundry and sending him into the downward spiral that led to his demise. 


But the more Tess uncovers about Wink, the more she’s convinced that someone with an axe to grind wanted him dead and was willing to go as far as murdering him.


“Hush Hush”

Tess Monaghan has encountered almost every possible criminal motive throughout her career: greed, revenge, jealousy, rage. But there are crimes that defy all attempts at understanding, where a search for motive seems pointless.

Melisandre Harris Dawes committed such a crime. Found not guilty by reason of insanity, she fled the country, leaving her two daughters with their father. Twelve years later, she’s back in Baltimore, and Tess is asked to provide security detail while Melisandre films a documentary about her attempts to reconcile with her now teenaged children.

Tess, juggling work with caring for her demanding toddler, is uneasy about the case. Still, Melisandre’s lawyer is family. And there is something about the woman herself—confident, beautiful, shrewdly intelligent—that draws Tess in. Is she a master manipulator or someone who was driven to temporary madness? Cold and calculating, or a mother concerned for her daughters’ well being? Someone is leaving Melisandre enigmatic, threatening notes. Soon Tess, insecure about her parenting abilities and receiving cryptic messages of her own, isn’t sure whether she should be protecting Melisandre from harm—or protecting everyone else from Melisandre.


When Melisandre becomes the prime suspect in a murder, Tess must uncover the truth. Doing so will mean confronting her deepest beliefs about what separates good parents from bad, madness from sanity, and what lengths even the most rational person will go to, to protect what they cherish most.